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Anonyme (1780): Riflessioni di un professore. ed. Fuzeau.

Applebaum, Samuel and Sada (1972) The Way They Play. Neptune City, N.J.: Paganiniana Publications.

Alard, D. (1844) : Ecole du violon.Paris, ed. Fuzeau.

Auer, Leopold (1921). Violin Playing As I Teach It. Frederick A. Stokes Co., New York, NY.

Auer, L. (New York, 1925/R): Violin Master-Works and their Interpretation.

Babitz, Sol (1947) Principles of Extensions in Violin Fingering. Los Angeles: Delkas .

Babitz, S. (1957): 'Differences between 18th-Century and Modern Violin Bowing', The Score, no.19, 34-55; rev., pubd separately (Los Angeles, 1970, enlarged, 2/1975).

Babitz, S. (1955, 3/1980): The Violin: Views and Reviews. Urbana, IL.

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Bakhsheayesh, Gloria :Dancing Bows.

Beriot, C. A. (1857): Mèthode de violon. Paris, ed. Fuzeau.

Bismantova, B. (1677): Compendio musicale. ed. Fuzeau

Berkley, Harold (1947) The Modern Technique of Violin Bowing: An Analysis of the Principles of Modern Bowing. New York: G. Schirmer, Inc.

Blobel, W. (1928): Das Geigen- und Bratschen-Spiel. Bohn am Rhein, Selbstverlag.

Bloch, J. (1903): A hegedüjaték és tanitási módszere. Budapest, Rozsnyai kiadó.

Boyden, D. D.: The Violin and its technique in the 18th century

Bronstein, Raphael (1977) The Science of Violin Playing. Neptune, New Jersey: Paganiniana Publications, Inc.

Brun, Paul (2000). A New History of the Double Bass. Villeneuve d'Ascq, France: Paul Brun Productions.

Campagnoli, B. (1790): L'art d'inventer à l'improviste. ed. Fuzeau

Campagnoli, B. (1797): Nuovo metodo della meccanica. ed. Fuzeau

Campbell, Margaret (1980) : The Great Violinists. London

Capet, Lucien:Technique superieure de l'archet. ed. Salabert.

Costantakos, Chris A. (1997) Rev. ed. Demetrios Constantine Dounis : His method in teaching violin.New York : Peter Lang.

Dalton, David. (1988). Playing the viola : conversations with William Primrose. Oxford University Press.

Diestel, H. (1912) : Violintechnik und Geigenbau.Leipzig, Kahnt Nachfolger.

Donnington, Robert (1977). String Playing in Baroque Music. New York: Charles Scribner's Sons.

Doty, David B. (1993) The Just Intonation Primer: An Introduction to the Theory and Practice of Just Intonation. San Francisco, CA: Just Intonation Network.

Dounis, D.C. (1921). The Artist's Technique of Violin Playing. Charles Dumont & Sons, Inc.

Ehrlich, A. (1893) : Berühmte Geiger der Vergangenheit und Gegenwart. Leipzig

Erdlee, Emery (1988). The Mastery of the Bow. Tamarac, Fl: Distinctive Publishing Corporation.

Eberhardt, Siegfried (1938): Wiederaufstieg oder Untergang der Kunst des Geigens? Die kunstfeindliche Stahlsaite, Berlin-Grunewald.

Eberhardt, Siegfried (1921): Paganinis Geigenhaltung. Berlin, Adolf Fürstner.

Fanzano :Elogi di Tartini. ed. Fuzeau

Fischer, Simon (1997). Basics: 300 Exercises and Practice Routines for the Violin. New York: Edition Peters.

Flesch, Carl. 1924 (revised 1939). The Art of Violin Playing. Book I, Technique in General, Applied Technique. Chicago: Carl Fischer Inc.

Flesch, Carl. (1930). The Art of Violin Playing. Book II, Artistic Realization and Instruction. Chicago: Carl Fischer Inc.

Flesch, Carl (Berlin, 1911).Urstudien für Violine.

Flesch, Carl (1958): The Memoirs of Carl Flesch, New York .

Galamian, Ivan. (1985). Principles of Violin Playing and Teaching London: Prentice Hall.

Galamian I. and F. Neumann (New York, 1966) :Contemporary Violin Technique.

Galeazzi (1796): Elementi teoricopratici. ed. Fuzeau

Geminiani, Francesco, David Dodge Boyden (1751, 1951) The Art of Playing the Violin, 1751. London: Oxford University Press.

Geminiani, F. (1749): A treatise of good taste. ed.Fuzeau

Gerle, Robert.(1983). The Art of Practising the Violin. London: Stainer and Bell.

Gerle, Robert (1991). The Art of Bowing Practice. London: Stainer and Bell.

Gigante, Charles (1986). Manual of Orchestral Bowing. Bloomington, IN : American String Teachers Association ; Frangipani Press.

Ginsburg, Lev. (1980) Ysaye. Ed. By H.R. Axelrod. Neptune City, NJ: Paganiniana Publications.

Green, Barry. The Fundamentals of Double Bass Playing. Cincinnatti, OH: Piper Co.

Green, Elizabeth (1993). Miraculous Teacher: Ivan Galamian and the Meadowmount experience. Bryn Mawr, PA: Theodore Presser.

Grünberg, Max (1925) : Meister der Violine. Stuttgart/Berlin

Haman, Donald L., and Robert Gillespie (2004). Strategies for Teaching Strings: Building a Successful String and Orchestra Program. New York: Oxford University Press.

Habeneck, F. A. (1842): Mèthode théorique et pratique de violon. Paris, ed. Fuzeau.

Havas, Kato (1961). A New Approach To Violin Playing . London:Bosworth & Co.

Havas, Kato (1968). The Violin and I. London: Bosworth & Co.

Havas, Kato (1964). The twelve lesson course in A New Approach to Violin Playing, with exercises relating to the fundamental balances. London: Bosworth & Co.

Havas, Kato (1973). Stage Fright: Its Causes And Cures, With Special Reference To String Playing. London: Bosworth & Co.

Hodgson, Percival (1958). Motion Study and Violin Bowing. Urbana: American String Teachers Association.

Hoppenot, Dominique (1981). Le violon intérieur, Paris.

Von Der Hoya, Amadeo (1904).:Die Grundlagen der Technik des Violinspiels.

Jacoby, Robert. (1985) Violin Technique: A Practical Analysis for Performers. Borough Green, Sevenoaks, Kent, United Kingdom: Novello and Company Limited.

Jahn, A. (1913): Die Grundlagung der Natürlichen Bogenführung auf der Violine.Breitkopf und Härtel.

Jahn, A. (1951): Methodik des Violinspiels. Leipzig, Breitkopf und Härtel.

Jamiesons, Nannie (1991). Technique in a Nutshell for Violin and Viola. European String Teachers Association.

Jarosy, A.(1921): Die Grundlagen des violinistichen Fingersatzes (Berlin, 1921;Eng. trans., 1933, as A New Theory of Fingering).

Joachim,S. Chaigneau (1927):Osservazioni moderne su l'arte di studiare. ed. G. Ricordi.

Kendall, John D (1973). The Suzuki violin method in American music education; what the American music educator should know about Shinichi Suzuki. Reston, VA: MENC.

Kjelland, James (2003). Orchestral Bowing: Style and Function, Van Nuys, CA: Alfred Publishing. Contains text and workbook.

Klingler, Karl (& AGNES RITTER (HRSG.)).(1990) "Über die Grundlagen des Violinspiels" und nachgelassene Schriften.Hildesheim Zürich New York, Georg Olms Verlag.

Koeckert, G. (1909): Les principes rationelles de la technique du violon.Leipzig, Breitkopf und Härtel

Krayk, Stefan (1995). The Violin Guide for Performers, Teachers and Students. Reston, VA: American String Teacher's Association.

Kross, Emil: Die Kunst der Bogenführung. Praktisch-theoretische Anleitung zur Ausbildung der Bogentechnik und zur Erlangung eines schönen Tons. Op. 40. Heilbronn 1892.

Küchler, Ferdinand: Lehrbuch der Bogenführung auf der Violine. Leipzig 1929.

la Laurencie, L. :L'Ecole française de violon de Lully à Viotti

Leone (1768): Mèthode raisonnée. ed. Fuzeau.

Lolli (1784): L'école du violon en quatuor. ed. Fuzeau

Mantel,Gerhard (1999). Cello Ueben.Schott,Mainz

Martens, Frederick H.(1919): Violin Mastery.Talks with Master Violinists and Teachers. New York,Fredrick A. Stokes Company Publisher

Mazas, J. F. (1830): Mèthode de violon.Paris, ed. Fuzeau.

Menuhin, Yehudi (1986). The compleat violinist: thoughts, exercises, reflections of an itinerant violinist. New York: Summit Books.

Menuhin, Yehudi, and William Primrose (1976). Violin and viola. New York: Schirmer Books.

Menuhin, Yehudi:Six lessons with Yehudi Menuhin

Melkus, Eduard: Die Violine. Eine Einführung in die Geschichte der Violine und des Violinspiels.

Mischakoff, Anne (1985). Sfozando! Music Medecine for String Players. Reston, VA: American String Teachers Association.

Moser, A. (1920) : Methodik des Violinspiels. Leipzig,Breitkopf & Härtel.

Moser, Andreas (1966): Die Geschichte des Violinspiels. Tutzing.

Mostrass, K. G. (1959): Die rhythmische Disziplin des Geigers. Ein methodischer Abriss.Breitkopf & Härtel Leipzig.

Mostrass, K. G. (1947): Die Intonation auf der Violine. Moskau, Staatlicher Musikverlag.

Mozart, Leopold (1951). 2nd ed. A treatise on the fundamental principles of violin playing. London: Oxford University Press.

Panerai (1780): Principi di musica. ed. Fuzeau

Paull, Barbara; Harrison, Christine (1999). The Athletic Musician.A Guide to Playing without Pain.Scarecrow press.

Perkins, Marianne Murray (1995). A comparison of violin playing techniques :Kato Havas, Paul Rolland, and Shinichi Suzuki. Reston, VA: American String Teachers Association.

Pincherle, M.(Paris, 1927): Feuillets d'histoire du violon

Pincherle, Marc(1966): Le Violon, P.U.F. , Paris

Polnauer, Frederick F (1964). Senso-motor study and its application to violin playing. Urbana, IL: American String Teachers Association.

Rangoni (1790): Saggio sul gusto della musica. ed. Fuzeau

Read, Gardner (1976) Contemporary Instrumental Techniques. New York: Schirmer Books.

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Rolland, Paul (1990). Basic principles of violin playing : a report prepared for the MENC Committee on String Instruction in the Schools. New York: Boosey and Hawkes.

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Sass, A. L. (1907) : Das Geheimnis auf der Violine und dem Cello.Bosworth.

Schmidl, L. : Geigentechnische Offenbarungen. Leipzig, Bosworth and co.

Schroeder, Carl - Handbuch des Violinspiels. - 5. Auflage - Berlin : Hesses, 1922

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Signoretti (1777): Mèthode contenant les principes. ed. Fuzeau

Starr, William J (1976). The Suzuki violinist :a guide for teachers and parents. Knoxville, Tenn. : Kingston Ellis Press.

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Stoeving, P. (1920): The art of violin bowing.Leipzig,Kahnt Nachfolger.

Stoeving, P. (1928): Was bezweckt die Sevcik Methode? Bosworth and co.

Stoeving, P. :The Story of the Violin

Strange, Patricia and Allen Strange (2001) The Contemporary Violin: Extended Performance Techniques. Berkley and Los Angles: University of California Press.

Suzuki, Shinichi (1969). Nurtured by Love. New York: Exposition Press.

Suzuki, Shinichi and Elizabeth Mills (1973). The Suzuki Concept: an introduction to a successful method for early music education. Berkely: Diablo Press.

Suzuki, Shinichi (1983). Ability Development from Age Zero. Athens, OH: Ability Development.

Szende, Otto, and Mihaly Nemessuri (1971). The physiology of violin playing.

Szigeti, Joseph (1970). Szigeti on the violin. New York, F.A. Praeger.

Szigeti, J.: A Violinist's Notebook (London, 1964)

Szilvay, Geza (1970): ABC Violin Tutor. London: Colourstrings International.

Tartini, Giuseppe: Lettera alla Signora Maddalena Lombardini inserviente ad una importante Lezione per i Suonatori di Violino. London 1779 und 1913.

Tartini, G. (1748): L'arte del arco. ed. Fuzeau.

Tartini, G. (1770): Lettera del defonto Signor Tartini. ed. Fuzeau.

Tartini, G. (1770): La scienza platonica fondata nel cerchio. Padova, ed. Cedam

Tartini, G. (1771): Traité des agréments. ed. Fuzeau

Tartini, G. (1771): Libro di regole ed esempi.ed. Fuzeau.

Tartini, G. (1771): Regole per arrivare a ben suonare. ed Fuzeau. Tessarini (1741): Grammatica di musica. ed. Fuzeau.

Tessarini (1760): Nouvelle mèthode pour apprendre par théorie. ed. Fuzeau

Tessarini (1765): An accurate method. ed. Fuzeau.

Trendelenburg, W. (1925) :Die Natürlichen Grundlagen der Kunst des Streichinstrumentspiels.Berlin,Verlag von Julius Springler.

Virgiliano, A. (1600) : Il dolcimelo di Aurelio Virgiliano. ed. Fuzeau.

Von der Hoya, A. :Technik des Violinspieles.Max Hesse's Verlag

Von der Hoya, A. (1919):Studienbrevier.Regensburg,Gustav Bosse Verlag.

Waldbauer, Imre (1944): Il periodo d'oro del violinismo e della didattica violinistica ungheresi (articolo in: A magyar muzsika hoskora és jelene történelmi képekben,Budapest)

Von Wasielewski, W. J. und Waldemar (Gebundene Ausgabe - 1968): Die Violine und Ihre Meister

Winberg, Salus (1990). Stretching for Strings. Reston VA: American String Teachers Association.

Winkler, J. (1923): Die Technik des Geigenspiels. Rikola Verlag

Woiku, J. (1925): Der Natürlicher Aufbau des Violinspiels. Leipzig, griffel Verlag.

Woldemar, M. (1800): Grande mèthode ou ètude èlèmentaire pour le violon. Paris, ed. Fuzeau.

Woldemar, M. (1800): L'art du violon. Paris, ed. Fuzeau.

Woldemar, M. (1800): Les commandements du violon. Paris, ed. Fuzeau.

Yampolsky, I.M. (1967) The Principles of Violin Fingering, preface by David Oistrach, translated by Alan Lumsden. London: Oxford University Press. Young, Phyllis (1978).

Playing the String Game: Strategies for Teaching Cello and Strings. Austin: University of Texas Press.

Young, Phyllis (1986). The String Play: the drama of teaching and playing strings. Austin: University of Texas Press.

Ysaye, Antoine and Bertam Ratcliffee (1978). Ysaye, His Life, Work, and Influence. St. Slair Shores, Michigan: Scholarly Press, Inc.

Zannetti, G. (1645): Il scolaro di Gasparo Zannetti. Fuzeau ed.

Zuccari (1762) : The true method of playing. Fuzeau ed.

 

Conductors' Documentation:

Map: Conductors' Map

Pdf files:

auer
baillot
böhm
capet
corelli
corti
costa
dancla
david
de beriot
eck
elderling
feher
fiocco
flesch
frontali
gaviniés
gertler
giorgetti
grafmann
graun
grün
hebeneck
hubay
joachim
kreutzer
léclair
léonard
lolli
marsick
massart
mlynarski
nalbandian
nardini
pixis
pugnani
robberechts
rode
sevcik
somis
stamitz
tartini
varga
vieuxtemps
viotti
waldbauer
wranitzki
yampolski
ysaye
zathureczky
zimbalist